Individually control delay outputs and dry/wet mix.Create colorful, unique sound effects and drones through self-oscillation.Delay rhythms and melodies to create everything from slap-back echoes to feedback chaos.Modify pitch by musical intervals (diatonic) to harmonize vocals or solo instruments.Optional 'glitching' of original H910 hardware to create unpredictable sounds as it alters pitch.Anti-Feedback modulates the pitch around unity for a subtle or wild effect.Perform perfect pitch changes controlled manually, via MIDI or with Anti-Feedback.True analog modeling of highly nonlinear electronics for faithful reproduction of the original H910's juicyness and grit.NEW OUT2 Delay Group - adds inspiring attributes to your sound.The built-in envelope follower makes exploring these possibilities easy. Engineers and producers discovered that sending a control voltage to the hardware H910 could be used to slightly (or massively) vary the pitch, creating entirely new sounds. NEW Envelope Follower - An envelope follower has also been implemented in this latest release.With the H910 plug-in you can easily use MIDI to control pitch and harmonization in real-time. NEW Keyboard and MIDI mapping - The original H910 featured a keyboard remote control which was used live by several artists including Elton John.The combination of glitch, randomness and analog signal path, especially when the feedback control was turned up, added an ‘organic’ feel to the sound and that feeling comes through in the plug-in. This was evident in the way that the display would flicker between pitch ratio readings.

The system clocks at the heart of the design drifted and wobbled introducing a degree of randomness in the effect not found in later crystal-based, precise digital devices.

The design predates the introduction of the CD and digital audio sample rate standards (e.g. In addition to the glitch, all of the quirkiness of the original H910 has been emulated. Not surprisingly, artists found creative ways to use the glitch and, in fact, years later when the H949 was introduced with advanced de-glitching circuitry, some users were disappointed that the glitch was gone. The original H910’s unique pitch change method introduced random ‘glitches’ into the audio and the word ‘glitch’ into the audio engineer’s vocabulary.

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